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Infinite Branches: Speculative Queer Disability Poetry in Conversation

A Round-Robin Series Guest Edited by Toby MacNutt
Table of Contents for This Page
  • burn (kiss) the heretic (Poem)
  • ​Formatting Description for Accessibility
  • ​​Poem Text for Accessibility
  • ​Downloadable PDF for Accessibility
  • ​Poem Acknowledgments
  • Author’s Statement in Response to Petra's "Blackberry Ball"
  • About the Author
  • About the Series “Infinite Branches: Queer Speculative Disability Poetry in Conversation” — Guest Edited by Toby MacNutt

Two women kissing with orange fire sparks
Photo by Ivan Samkov, adapted by Interstellar Flight Magazine
 
​burn (kiss) the heretic
by
Elena Sichrovsky




oleander hickey

striptease mid-wedding

flaunt my new coathanger body


belladonna translates to beautiful woman

asscrack full of rock salt and paper cranes

sex organ bouquet for the next bride to catch

starfish spread on stone altar

god save me from being a beautiful woman

gasping groom licks my sharpened spine to hilt

pierced tongue chases plague mice in my pussy

beautiful women don’t get to hold throats

cut tongue tip on needle lace veil

summon shedevil mid-orgasm

hemlock vows

 
 

​Formatting Description for Accessibility
​

Right aligned. Each line stands alone, and fades arrhythmically line-by-line, lighter and lighter text, darker, lighter again, often gradating, sometimes abrupt



​Poem Text for Accessibility


burn (kiss) the heretic

oleander hickey
striptease mid-wedding
flaunt my new coathanger body
belladonna translates to beautiful woman
asscrack full of rock salt and paper cranes
sex organ bouquet for the next bride to catch
starfish spread on stone altar
god save me from being a beautiful woman
gasping groom licks my sharpened spine to hilt
pierced tongue chases plague mice in my pussy
beautiful women don’t get to hold throats
cut tongue tip on needle lace veil
summon shedevil mid-orgasm
hemlock vows
 

​Downloadable PDF for Accessibility
​

(PDF) 


 

​Poem Acknowledgments
​

This poem first appeared as “Lithium” in Eating Out Anne Sexton (Ghost City Press, 2024)



 

Author’s Statement in Response to Petra's "Blackberry Ball"
​

Petra’s “Blackberry Ball” pulses with invocation and defiance in rhythm to “burn(kiss) the heretic”. The first time I read “Blackberry Ball,” I was immediately transported to a dark woods with flames in my hair and long-buried fury foaming at the surface. “Spit the thorn-defended shrub/until this queer ass brain twitches into screams/velvet-magenta jouissance”, Petra writes, a twin to my penultimate line “cut tongue tip on needle lace veil/summon shedevil mid-orgasm”.

Petra commandeers nature like a creator — lavender and lava, orchids and nitrite, a soiled earth that’s both terrible and inevitable. It’s like an unholy gathering in the field opposite the unholy wedding in my poem; the neighbors you’d borrow not a cup of sugar from, but a vial of blood when you’ve run out for the next hex.

I’ve always loved the insolence of witches. “burn(kiss) the heretic” was originally titled “Lithium”, from my collection Eating Out Anne Sexton where each poem was named after a psych med I am or have been on. When I was on lithium, it was a very low dose to augment the antidepressants I was also on. My friends would always say, “Isn’t lithium the thing that’s in batteries?” It became a running joke, the irreverent imagery of swallowing batteries to cure myself, like being taken to the sea to remedy hysteria. In “burn(kiss) the heretic” I wanted to echo that energy in a way that was both obscene and revealing. The gradients of text colors tell three different stories, some shouted and some whispered: “sex organ bouquet for the next bride to catch/starfish spread on stone altar/god save me from being a beautiful woman”.
​

I was raised and educated in a hyper-conservative cult that propagated pretty much every kind of oppression you can think of; it’s an upbringing that spawned a late-20s PTSD diagnosis and my continuous medication/treatment journey. As a queer genderfluid disabled writer, I’ve become the exact visage of a sinner that nine-year-old me would’ve prayed for God to smite or deliver. With “burn(kiss) the heretic,” I get to flaunt that so-called sin almost deliriously. I think sacrilege has become a primary source of joy in my life now; my body is a temple that’s off-limits to gods but welcome to the monstrous.


 

​About the Author

Elena Sichrovsky (she/they/it) is a queer disabled author and cult survivor. Their writing explores religious trauma, grief, and identity through the lens of body horror. You can read more published work on its website www.elena.sichrovsky.com.


 

​About the Series “Infinite Branches: Queer Speculative Disability Poetry in Conversation” — Guest Edited by Toby MacNutt
​

Infinite Branches is a round-robin anthology of queer disabled poets. Poets choose their own poems in response to the poet preceding them, and each group of poets concludes with a discussion of their work in the context of each other. Facilitation for choices, statements, and discussion was done by Toby MacNutt.



​

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  • Home
  • Books
    • Poetry >
      • Twelve
      • Field Guide to Invasive Species of Minnesota
      • Can You Sign My Tentacle?
      • Escaping the Body
      • The Gravity of Existence
      • Beautiful Malady
      • anOther Mythology
      • The Heartbeat of the Universe
      • Necessary Poisons
      • listen—a poetic creature
    • Fiction >
      • The Manticore's Vow
      • Local Star
      • The Future Second by Second
      • Killday Series
      • The Long Fall Up
      • Small Gods of Calamity
      • Learning To Hate Yourself as a Self-Defense Mechanism
      • The Butterfly Disjunct
      • The House of Illusionists
      • Club Magritte
    • Nonfiction >
      • Best Of Interstellar Flight Mag
  • Magazine
    • Masthead
    • 2020 Alternate Endings
    • 2024 Flash Fiction Series
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